With her runaway victory at the Eurovision Song Contest, German teenager Lena has ushered in a new era for the annual music jamboree.
Not only has she signalled an end to a politically-motivated, 13-year losing streak for the "big four" countries who help fund the competition, but her winning song, Satellite, has reclaimed the contest's musical credibility. With echoes of Lily Allen and Paloma Faith, it is the first contemporary pop hit Eurovision has produced in decades.
And Lena was not alone in embracing the charts, with the top three songs all displaying a welcome maturity.
Turkey's entrants, maNga, are a nu metal band who picked up an MTV Award last year; while Belgian singer-songwriter Tom Dice moulded his song on the hit singles of David Gray and James Morrison.[...]But amidst all the hotpants, fireworks and questionable haircuts (I'm looking at you, Serbia) it was a lone 19-year-old pop singer who made the biggest impression.
Lena had no complicated choreography, no inexplicable backing dancers and she wore a simple black dress - the sort of thing you could pick up tomorrow in any high street store. Her refreshingly direct performance reflected a vivacious, playful personality.[...]
At the other end of the scale, UK entrant Josh Dubovie will be drowning his sorrows after taking last place, with a measly 10 points. His fatal mistake was to cling stoically to decades-old Eurovision cliche, in a year when the contest finally dragged itself into the 21st Century. That Sounds Good To Me was written by Pete Waterman and Mike Stock - bankable hitmakers in their heyday, but that heyday was 20 years ago, and their song sounded like it had been pulled off a shelf marked "Jason Donovan rejects (1988)".
By contrast, Julia Frost, who co-wrote Lena's song, works for RedZone entertainment - the US company responsible for Rihanna's Umbrella and Britney Spears' Me Against The Music.