Spectre
The Deported
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http://www.theguardian.com/media/2015/dec/22/bbc-top-gear-executive-producer-chris-evans
As I commented at the time of her appointment to the position:
Either this is 'rats deserting a sinking ship' or someone realized this woman is a showkiller and got her to leave. Given Chris Evans track record, I'm thinking it's more the former than the latter.
Playing Pollyanna, perhaps this means that someone has realized that Top Gear wasn't really about comedy but was always (at least tangentially) based on, you know, cars.
BBC's Top Gear relaunch struck a blow as executive producer departs
Lisa Clark, who was personally brought in by Chris Evans, departs after less than five months with the show?s relaunch looming in May
Chris Evans?s Top Gear has been struck a blow with the departure of executive producer Lisa Clark less than five months after being brought in to lead the relaunch of the hit BBC motoring show.
Evans personally brought in Clark, who worked with him as a producer on The Big Breakfast, to help reinvent Top Gear following the departure of co-hosts Jeremy Clarkson, James May and Richard Hammond.
Her arrival was much hyped by Evans but only a few months in ? and with just five months until the first show is due to air on 8 May ? Clark has left the BBC to pursue ?new projects?.
?We?d like to thank Lisa for all her incredible work over the last five months readying new Top Gear for its busy filming schedule in 2016 and planned return in May,? said the BBC in a statement.
A BBC spokeswoman added that the production schedule for the show is unaffected by the loss of Clark.
Alex Renton, who has been series editor on Top Gear for a decade, will take over the reins on an interim basis until a new appointment is announced in the new year.
Clark had been brought on board to replace Andy Wilman, who has joined old school friend Clarkson to make a rival motoring show for Amazon Prime.
She set up a production company called Pett in 2001 with Vic Reeves and Bob Mortimer.
?After an extremely busy five months I am moving on from Top Gear to new projects which I will be announcing in the new year,? said Clark. ?I?d like to wish production all the very best with the show.?
At the time of her hiring, Evans said of Clark: ?Lisa is as good as it gets when it comes to making big, important television shows.
?She?s funny, sassy, super experienced and has always absolutely loved cars.?
The appointment of a new executive producer for Top Gear will be made in the new year.
As I commented at the time of her appointment to the position:
Check out her IMDB entry - no real long-running shows, nothing memorable, whole bunch of 'smash hit' one-and-dones and one-off TV movies. She's not even run a successful series for much more than a single season. Her longest run was an 8 episode season plus one episode before and another one after and then she was gone.
http://www.imdb.com/name/nm1075297/?ref_=ttawd_awd_1
I can't see this going well for people *not* like us either. This lady appears to have been the kiss of death for a number of productions.
She wasn't the original executive producer and was brought in late - in 1996. She 'revamped' the show and it basically ended up being a slow motion train wreck after that.
https://en.wikipedia.org/wiki/The_Big_Breakfast#Relaunch
Apparently it ended up being a disaster and she is at least partially responsible for the death of the show. She was there from mid-96 until she got the boot in 97. Her disastrous reimagination-on-the-fly of the show was not something it could recover from easily.
https://books.google.com/books?id=W...nepage&q=Lisa Clark The Big Breakfast&f=false
If she had been a successful showrunner, she would have been kept on for more than the year. She wasn't.
So, yeah, basically this woman kills shows.
Either this is 'rats deserting a sinking ship' or someone realized this woman is a showkiller and got her to leave. Given Chris Evans track record, I'm thinking it's more the former than the latter.
Playing Pollyanna, perhaps this means that someone has realized that Top Gear wasn't really about comedy but was always (at least tangentially) based on, you know, cars.
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