I think that was part of the logic why Tesla thought for years that Spotify at 96kbps was somehow acceptable ? Ofc no way for the customer to change that.In the car, with the engine on, rain falling, other traffic….not so much. I never went lower than 192 though
Before I got the aux connection set up in the Mazda I made an MP3 CD just so I had something to listen to, felt very unusual. Turns out this USB Blu-ray drive is really fucking slow when it comes to burning CDs too.
I made sure I put an old 48x CD burner in the 1995 Dell Optiplex I bought earlier in the year, I haven't tried it but I bet it's faster.
I think that was part of the logic why Tesla thought for years that Spotify at 96kbps was somehow acceptable Ofc no way for the customer to change that.
exactly. it's super dumb, also considering they're advertising "premium audio" and a bazillion speakers and stuff. Even on the autobahn with the horrible sound-deadening of my early model 3 spotify is still noticeably bad quality... so ofc people were complaining a lot. I'm actually not even sure whether they changed it or not (and tbh I don't care anymore), but it definitely took way too long (especially considering they're now selling "premium connectivity" for 10€/month).That’s just silly. An EV is whisper quiet so you can hear everything. If you’d have a big rattly diesel engine (as I had, RIP the 2.2 DTI Astra), you’d be none the wiser
Aftermarket MiniDisc player in the car? I've never used or even handled a MiniDisc but thanks to Techmoan I know a lot about them. I went directly from CDs to MP3s, my Sony PSP being my first music player.In my first car I had 6 CDs and about 15 MDs, and I knew exactly which one was which so I could change discs without reading the labels.
In my first car I had 6 CDs and about 15 MDs, and I knew exactly which one was which so I could change discs without reading the labels.
My guess? They do it because they can. Because they have a computer to play around with. And maybe because nearly everybody is doing it these days. Autotune and pitch correction have become so common today that it might be even considered mandatory to use it in certain circles.I have several questions. Why/How would you go about autotuning a voice that has practically limitless range? Aside from spoiling the original, which is bad enough, where would you improve it?